As it turns out, this was the last time they could still shoot for the stars and seem like their scrappy selves and, in many ways, it was the last true Replacements album. That transformation is chronicled in-depth on the group’s latest boxed set, PLEASED TO MEET ME (DELUXE EDITION). The making of Pleased To Meet Me was a transformative journey for The Replacements, one that began with the combustible Minneapolis combo on the brink of collapse and culminated in one of the definitive albums of the band’s career. 1: The Early Years 1963-1967 [Box Set], Music title data, credits, and images provided by, Movie title data, credits, and poster art provided by. The Replacements’ fifth album, Pleased to Meet Me, is being reissued in the form a box set.The Please to Meet Me reissue is the band’s follow-up to the Don’t Tell A Soul box set (titled Dead Man’s Pop) that was released last year.. As I've said before, albums like Pleased to Meet Me are the kinds of historical releases that deserve such proper deluxe treatment, and Rhino have taken to addressing the content-presentation game accordingly by going with the 12x12 hardcover book form for artists like The 'Mats and The Doors while going deeper, both literally and figuratively, with mondo-block size box sets for the likes of Prince and Led Zeppelin. That cassette subsequently served me quite well on a number of my own travels hither and yon before I was able to find both albums on a 1987 import two-fer CD via Big Beat Records (each have long since been upgraded individually)—but I digress. Following "Chilton," Pleased carries on in full breakneck breakdown fashion, with its unabashed M.O. I would like to know if the newly remastered sound adds another important element? THIS IS THE VIEW FIELD ARTICLE IMAGES TEMPLATE. The most interesting stuff here is in the Blackberry Way Demos, some of which came out on a previous expanded edition of the album. Following the mix of B-sides, tattered covers, and, frankly, a less-than-thrilling remix of "Can't Hardly Wait" as done by Jimmy Iovine to end Disc 1, it's time for even more bonus material. (Chilton himself happened to turn in some tasty guitar fills on the core album's final track, "Can't Hardly Wait"—more on that one in a bit.) The 'Mats subsequently embrace smoky jazz tones on "Nightclub Jitters," tackle the perils of suicidal thoughts on the turgid "The Ledge," accept the semi-deflated resignation of "Never Mind" (perhaps foreshadowing a Nirvana album title/mantra to come four years later, methinks), bask in the sunny acoustic majesty of "Skyway" (buttressed by Mars' foot taps and East Memphis Slim's sleek vibes playing), and then close out the proceedings via the plaintively hopeful wrap-up of "Can't Hardly Wait" (with a fine blend of Memphis Horns accents and strings by Max Huls to carry it all home). Every Replacements record is extraordinary in its way, but none exemplifies their garbage-to-grandeur alchemy like Pleased To Meet Me, which rocks like early Kinks, swaggers like T. … This album was to be more glory and less ragged. Blues—made the box set grade. As of October 9, Pleased to Meet Me gets its own deluxe treatment via a 3CD/1LP box set that includes B-sides, outtakes, and band demos galore—55 different tracks but 68 all told, given that 13 of them are replicated on the lone LP. When compared to the rest of the band's output, "Pleased to Meet Me" is somewhat disappointing. The Replacements have announced a deluxe edition of their acclaimed 1987 album Please to Meet Me.Due on October 9th from Rhino, the upcoming set features 29 unreleased tracks, including demos, rough mixes, and the band’s final recording sessions with late guitarist Bob Stinson, spread over three CDs and an LP. The Replacements | Pleased to Meet Me-Deluxe Edition | (Rhino/Sire) 4 out of 5 stars. [On the heels of Dead Man's Pop, the 2019 overhaul of Don't Tell a Soul, Pleased to Meet Me received a three-CD/one-LP box set in 2020. of having "One foot in the door / The other foot in the gutter," as Westerberg outlines early on in the Stonesy call-and-response shrug-off of "I Don't Know" (also be sure to dig those continually tasty baritone sax stabs courtesy Teenage Steve Douglas). I think Mike's observations bare this out in a to the point way. As it turns out, this was the last time they could still shoot for the stars and seem like their scrappy selves and, in many ways, it was the last true Replacements album. Late last year, the Replacements released Dead Man's Pop, a box set featuring a remix of their 1989 album Don't Tell A Soul plus various rarities and … based on Tom Petty fans who didn't know what to make of The 'Mats were amused at best, but when the lads did get their sh-- together in spite of themselves, they proved why they were anointed early on as one of the great American alternative rock hopes of the mid/late-1980s and early-1990s. Universal acclaim Point of fact, Pleased to Meet Me also has the unique distinction of being the last new album I bought on vinyl in the spring of 1987 before switching over almost exclusively to CDs a month later (though, of course, I returned to purchasing vinyl again before the decade was out). The best "new" material here are the 15 demos, 11 of which were previously unreleased, that were recorded at Blackberry Way Studios in Minneapolis during the summer of 1986. Every Replacements record is extraordinary in its way, but none exemplifies their garbage-to-grandeur alchemy like Pleased To Meet Me, which rocks like early Kinks, swaggers like T. Rex, and pays tribute to their spiritual godfather Alex Chilton. Whether you need all the extras, most of which are solid and worth hearing, depends on how attached you are to the contents and band. Whether you need all the extras, most of which are solid and worth hearing, depends on how attached you are to the contents and band. This Weekend: Record Store Day – Drop #2. I'm beyond, well, pleased that Pleased to Meet Me—whose empty-suit-meets-upstart-artist handshake album cover design also boasts a sly nod to the typeface and color scheme of the cover adorning Elvis Presley's October 1960 soundtrack for G.I. Now the fabulous “Pleased To Meet Me” gets the box set treatment with the original album supplemented by dozens of B-sides, outtakes, demos … (I'm still not quite sure why the core Pleased album didn't appear on 180g wax here as well.) Track 2, "Alex Chilton," is probably the best-known cut on Pleased, and it holds up as a loving ode to the namechecked Memphis power-pop icon who passed away in 2010. THIS IS THE PRODUCT PAGE BOX TEMPLATE. View credits, reviews, tracks and shop for the 2020 Box Set release of Pleased To Meet Me on Discogs. 'Mats fans have their favorite eras of the band—hardcores lean more toward their initial Twin Tone label lower-fi punk aesthetic (like June 1982's Stink EP), some prefer the mid-transitionary period (a la their September 1985 major-label debut on Sire, Tim), and others, like me, find their sweet spot with April 1987's Pleased to Meet Me. Net result—I spent a good amount of time spinning Pleased on my turntable before I even had the chance to listen to it digitally. Notable Video Game Releases: New and Upcoming, Neil Young Archives Vol. The Replacements’ fifth album, Pleased to Meet Me, is being reissued in the form a box set.The Please to Meet Me reissue is the band’s follow-up to the Don’t Tell A Soul box set (titled Dead Man’s Pop) that was released last year.. Considering the level of love and care the Rhino family have given to both Dead Man's Popand Pleased to Meet Me, I can't hardly wait to see what they and The 'Mats will release in box set form next. Meanwhile, Disc 3 first presents a baker's dozen of unreleased rough mixes that also appear on this collection's single 180-gram LP. Full-band demos rule the roost on Disc 2, eleven of them previously unreleased. © 2021 METACRITIC, A RED VENTURES COMPANY. Blues—made the box set grade. I think Mike hit on quite a number of pertinent facts here that define this particular period of the band attempting to reach while still holding on to their own central core. Producers: Bob Mehr, Jason Jones (box set); Jim Dickinson (original album) That's what I was thinking to myself as I watched these four Minneapolis-bred indie-rock stalwarts attempt to play through their rag-tag set while opening for Tom Petty and The Heartbreakers on August 19, 1989, at the Brendan Byrne Arena in East Rutherford, New Jersey. But now, I get to revisit Pleased anew, as the Rhino family have undertaken a finely detailed refresh of The Replacements catalog, having started in September 2019 by revamping, remixing, and greatly adding to February 1989's Don't Tell a Soul by way of a 3CD/1LP deluxe box set redubbed as Dead Man's Pop. This exhaustive reissue includes his [Bob Stinson] final contributions, though the real gold comes in their studio sessions with Jim Dickinson. CD/LP No user score yet- Awaiting 3 more ratings, All Creatures Great and Small (2021): Season 1, Greenfields: The Gibb Brothers Songbook, Vol. Engineers: Justin Perkins (box set remastering); John Hampton, Joe Hardy (original recording and mixing). ALL RIGHTS RESERVED. Label: Sire - R2 643412 / 60349784647,Rhino Records (2) - R2 643412 / 60349784647 • Format: Box Set Deluxe Edition CD Album, Reissue, Remastered 2x, CD Vinyl LP • Country: USA & Europe • Genre: Rock • Style: Garage Rock, Alternative Rock 1. Now fans old and new are making the most of the opportunity to see this celebrated rock outfit live performing classic material from albums including 'Don't Tell a Soul' and 'Pleased to Meet Me'. Minnesota rockers The Replacements delighted fans in 2012 with news of their reformation after over ten years away from the live circuit. Though it only takes about a millisecond and a half to call up the entire Big Star catalog via just about any streaming service of choice nowadays, it wasn't all that easy to actually travel with Big Star music back in the day. Hearing these roughs is a good lesson in how you just know certain tracks need something else to get them to the finish line—see especially "Alex Chilton" (not yet raucous enough) and "The Ledge" (needs that last iota of drama) for further evidence of so-closeness. That transformation is chronicled in-depth on the group’s latest boxed set, PLEASED TO MEET ME (DELUXE EDITION). While some continue to champion the Replacements' Don't Tell a Soul and All Shook Down exit albums, Pleased to Meet Me truly represents the last vital effort of a great band beginning its descent. The Replacements. Critic Reviews Polished Tension Made This One A Keeper To Revisit. Elvis Costello Armed Forces box art The Replacements: "Pleased to Meet Me." 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